Cigarette Products:

The Social History of Smoking

George Latimer Apperson

Chapter 7:

Throughout the eighteenth century the use of tobacco for smoking was largely confined to the middle and humbler classes of society. To smoke was characteristic of the "cit," of the country squire, of the clergy (especially of the country parsons), and of those of lower social status. But at the same time it must be borne in mind that then, as since, the dictates of fashion and the conventions of society were little regarded by many artists and men of letters.

In the preceding chapter I quoted from Addison's diary of a retired tradesman in the Spectator of 1712. The periodical publications of a generation or so later paid the great essayist the flattery of imitation in this respect as in others. In the Connoisseur of George Colman and Bonnell Thornton, for instance, there is, in 1754, the description of a citizen's Sunday. The good man, having sent his family to church in the morning, goes off himself to Mother Redcap's, a favourite tavern—suburban in those days—or house of call for City tradesmen. There he smokes half a pipe and drinks a pint of ale. In the evening at another tavern he smokes a pipe and drinks two pints of cider, winding up the inane day at his club, where he smokes three pipes before coming home at twelve to go to bed and sleep soundly.

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The Social History of Smoking

George Latimer Apperson

Chapter 13:

The old Irishwomen who were once a familiar feature of London street-life as sellers of apples and other small wares at street corners, were often hardened smokers; and so were, and doubtless still are, many of the gipsy women who tramp the country. An old Seven Dials ballad has the following choice stanza-

When first I saw Miss Bailey,
'Twas on a Saturday,
At the Corner Pin she was drinking gin,
And smoking a yard of clay.

Up to about the middle of Queen Victoria's reign female smoking in the nineteenth century in England may be said to have been pretty well confined to women of the classes and type already mentioned. Respectable folk in the middle and upper classes would have been horrified at the idea of a pipe or a cigar between feminine lips; and cigarettes had been used by men for a long time before it began to be whispered that here and there a lady-who was usually considered dreadfully "fast" for her pains-was accustomed to venture upon a cigarette.

In "Puck," 1870, Ouida represented one of her beautiful young men, Vy Bruce, as "murmuring idlest nonsense to Lilian Lee, as he lighted one of his cigarettes for her use"-but Lilian Lee was a cocotte.

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